Monday, May 16, 2011

Secure, Password-Free Syncing with Gmail

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On Friday we deployed a great new security feature: OAuth for GMail.  Using OAuth, you can now sync your GMail account—as well as your Google Calendar and Contacts—with NuevaSync without ever sharing your Google password.

OAuth authentication for GMail is a new feature from Google as well, and we are among the first services anywhere using it.  Even though it is very new, it is such an important feature that we are making it the default on all new GMail accounts.

To configure your GMail account with NuevaSync just enter your GMail address and click ‘Yes’.

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When prompted by Google, choose ‘Grant Access’.

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And that is it!

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Existing GMail users are not left out.  If you’ve already configured GMail with a password, you can replace it with an OAuth token by opening the e-mail configuration page and clicking 'Request GMail Authorization.’  Choose ‘Grant Access’ and your password will be deleted and replaced with a secure OAuth token.

For any questions or comments on GMail or OAuth, check out our push e-mail forum.


UPDATE: See our OAuth for Gmail wiki page for more information on OAuth and complete step-by-step instructions for new and existing users.

THE MAYFLOWER, PLYMOUTH AND THE AMAZING LIFE AND DEATH OF WILLIAM SHURTLEFF


As we celebrate this 389th Thanksgiving, I thought it would fun to remember, celebrate and share the role the Shurtleff family played in the beginning of our wonderful and blessed Nation.

As you know, the Puritans wanted to separate themselves from the Church of England to worship according to their free will and closer (or more “pure”) to the original Church of Jesus Christ as based on scripture. They began to call themselves Separatists. A branch of these Separatist Puritans removed to the north of England, and began gathering in the town of Scrooby in Yorkshire. They later felt the need to separate themselves physically from England itself and immigrated to Leyden, Holland in 1608. Wishing to further distinguish their faith from that of other Puritans who wanted to remain within the Church of England and work for biblical reform from within – they chose to call themselves Pilgrims. In 1620, seeking a new start in the New World, they boarded the Mayflower and set sail, arriving at Cape Cod in November of that year.

Arriving far north of their intended landing, the Pilgrims and the non-religious members of the crew determined that if they were to succeed as a new community in a new land, they would have to put aside their differences and work together as a community. On November 11th, 1620 they entered into the Mayflower Compact, to live according to the Rule of Law and equality. The Mayflower Compact became known as the “anchor” and the inspiration and template for the U.S. Constitution 160 years later.

The signers of the Compact declared, “…do by these presents, solemnly and mutually in the Presence of God and one of another, covenant and combine ourselves together into a civil Body Politick, for our better Ordering and Preservation, and Furtherance of the Ends aforesaid; And by Virtue hereof to enact, constitute, and frame, such just and equal Laws, Ordinances, Acts, Constitutions and Offices, from time to time, as shall be thought most meet and convenient for the General good of the Colony; unto which we promise all due submission and obedience.”

So how do my Shurtleff ancestors factor into these historic events?

The first Shurtleff to come to America was my 8th Great Grandfather William. He was born in 1624 in Ecclesfield Hall in Hallamshire, West Riding, Yorkshire, England. He was the first to spell our name S-H-U-R-T-L-E-F-F when he came to America. His father was William Shiercliffe, son of Nicholas, son of Nicolas, son of Alexander, son of Thomas, who we know lived in that part of Yorkshire since before 1500.

Ecclesfield was just twenty miles north of Scooby where the Pilgrims had lived for many years before leaving for Amsterdam. Many stayed behind but followed with great enthusiasm the travels of their brethren and began following them to Plymouth Colony throughout the 1920s and 30s.

As stated in a history book written in the early nineteenth century, “therefore it is not unreasonable to suppose that he [William Shurtleff], living so near the nestling place of the Leyden Pilgrims and being of an enthusiastic age and ardent temperament, became fired by the spirit of adventure or inspired with the holy zeal of the Puritans, and thus became one of the first settlers of the town of Plymouth and one of the forefathers of New England.”


At the young age of ten, William became an indentured servant to Thomas Clarke for the term of eleven years commencing on May 16, 1634, as is made apparent by the following entry preserved on page 70, vol. 1, of the Plymouth Court Orders: "September 1 William Shetle [sp] hath put himselfe an aprentise to Thomas Clarke for the terme of eleuen yeares from the 16 of May last and at the end of the sayd terme the sayd Thomas is to cloth him with two sutes fit for such a seruant and also eyght Bushells of Indian Corne."

Indentured servants contracted to work for their master for a term of years and at completion were granted their own land. Apparently our cunning great grandfather negotiated an extra bargain of two suits and eight bushels of corn (to seed what would become his lands in the New World when he turned 21.)

William was obviously not at the First Thanksgiving, but likely participated in many November feasts of thanksgiving in Plymouth Colony. His master, Thomas Clarke was a carpenter [and some say was the same pilot of the Mayflower] and one of the first Pilgrims to be buried on the Old Burial Hill just across the road from the current Plymouth Rock, Pilgrim Monument and the rebuilt Mayflower . William’s son, Captain William Shurtleff, would later be buried in that same small graveyard where his gravestone can still be seen today. He associated in life with the likes of William Bradford, Miles Standish, Perigrine White (first child born in America aboard the Mayflower just prior to the first landing.) His name appears with these and others on the Plymouth Founders Memorial [pictured here] as "William Shurtle[ff] and his wife Elizabeth."
William did his mandatory military service for Plymouth Colony during the last two years of his indenture. He was apparently a feisty young man being “fyned” for “breaking the peace vpon John Smyth" on June 5, 1644; and on Oct. 2, 1650, the authorities "present James Cole of the towne of Plymouth for making of a batterie vppon William Shirtley[sp]” [sp]ofthaforesaid towne."

In 1646 Grandpa William appeared in a list of names comprising the townsmen of Plymouth and at the General Court of the Colony held at Plymouth. On October 18, 1655 he married nineteen year old Elizabeth Lettice, who had been born in Plymouth in 1636 and on an unrecorded date in 1657 (300 years before my birth in 1957) Grandma Elizabeth gave birth to their first child, William.

On June 3, 1656 Grandpa William entered public life, being chosen one of "the Surveyors for the highwaies" for the town of Plymouth. In recording this event his name is written "William Shirtley"; and again he is found serving as juryman on Oct. 6, 1657, in a controversy between two residents of Plymouth. On June 7, 1659, "William Shurtley" was chosen constable for Plymouth and on the same day, as "William Shirtley," he was first on a list of names of "such as stand propounded to take vp their freedom." That year Elizabeth gave birth to twins Martha and Thomas.

The following entry is made in the Colonial Court Orders under date of the first of May 1660; probably it is the last during his connection with Plymouth, of which he was then Constable: "William Shurtlife -) were admitted freemen… att this Court." Freemen were those adult male citizens with full rights to participate in all public and political aspects of life in the community.

He probably removed north to Marshfield about this time, as his name cannot be found any later in any of the records of the town of Plymouth. From an instrument recorded with the Old Colony deeds, it is ascertained that he sold meadow land in Plymouth to Gabriel Fallowell on Mar. 27, 1660, at which time he was called "of Marshfield."

While in Plymouth he resided on his estate at Strawberry Hill near the Reed Pond and not far from the present bounds of Kingston, after which he dwelt in the easterly part of Marshfield in the neighborhood of White's Ferry, near the mouth of the North River, where his dwelling house was destroyed by fire in the early part of the year 1666; and on this account he was sojourning at the house of his near neighbor, John Phillips, at the time of the occurrence of the lightning which caused his death.

You have likely heard the family lore of our ancestor killed by lightning which came down the chimney of a home. The following are the historical accounts of his death that made a significant impact on Plymouth colony.

While Grandpa and Grandma William and Elizabeth and their children were “partaking of the hospitality of Mr. Phillips, it appears that one of those dreadful droughts occurred which were so very distressing to our early planters and which threatened to destroy all the fruits of their spring labor. On this account the good people of several neighboring congregations observed a day of fasting and prayer as they were wont to do in those days when suffering under afflictive dispensations. Soon after this, on June 23, 1666, happened the terrific thunderstorm which is so graphically described in a letter of Rev. Mr. Arnold. At the time of this storm there were fourteen people in the common sitting-room of the house of Mr. Phillips [including]; William Shurtleff, wife Elizabeth and their two sons, William and Thomas; and finally Timothy Rogers, the individual who related the circumstances to Mr. Arnold, the writer of the letter which has been the means of preserving many of the particulars of this sad event. They were mostly seated around the room. Mr. Shurtleff was sitting beside his wife, holding her hand in his and having one of their children in his arms, the other being between him and a table, under which was a dog. The storm of rain came on with great violence and Mrs. Phillips requested to have the door closed. Whereupon a stroke of lightning passed down the chimney, which it rent to pieces, smote down most of the people if not all, instantly killing Mr. Shurtleff, Mrs. Phillips and Jeremiah Phillips, and then passed out through the door, splitting it into fragments. This occurred on Saturday and they were buried on the following day, being the twenty-fourth, according to an entry made in the Marshfield town records.”

The account is related in a letter from Rev. Samuel Arnold of Marshfield to Rev. Mather of Boston, 1638, as follows: “There were, at the house of John Phillips, fourteen persons. Instantly a terrible clap of thunder fell upon the house and rent the chimmey, and split the door in many places, and struck most of the persons, if not all. There were mortally struck with God's arrows, that they never breath more. They were the wife of John Phillips, and his son, aged about 10 years, and one Wm Shertley (Shurtleff). Who had a little child in his arms, which was wonderfully preserved. This Shertley had just before been burnt out of his own house, and with his family, was at this time; a present sojourner at said Phillips."

Another survivor wrote of the tragedy: "The woman of the house calling earnestly to shut the door which was done, instantly a terrible clap of thunder fell upon the house & rent the chimney & split the door in many places & struck most of the persons if not all. Timothy Rogers told me that when he came to himself he saw the house full of smoke & there was a terrible smell of brimstone.”

Grandpa Shurtleff was buried in a Cemetery in Marshfield called the Old Winslow Burying Ground. Unfortunately his grave marker has long been lost. We do know that the great Daniel Webster shares the same burial ground.

A final interesting fact tied Elizabeth and children to the signers of the Mayflower Compact. Three years after the tragic death of Grandpa William, Grandma Elizabeth the mother of four children (having given birth to another son, Abiel, a few months after William’s death) remarried a Jacob Cooke. She joined her four children to his seven and together they raised thirteen children. Jacob was the son of Francis Cooke who was on the Mayflower and was one of the signers of the Mayflower Compact. So beginning at age twelve, our 7th great grandfather was raised by his stepfather and step grandfather who signed the Great Anchor Document. Young William would grow up to become “Captain William Shurtleff” one of the prominent citizens of the growing Plymouth Colony.

This interesting additional detail of the fatal lightening strike is included in the book Signers of the Mayflower Compact, page 50:

In 1865 Jacob Cooke married Elizabeth Lettice Shurtleff, “the widow of William Shurtleff who was killed by a stroke of lightening at Marshfield ‘while sitting while sitting with a child in his lap and holding his wife’s hand to encourage her, but he alone of his family was hurt.’ Goodwin tersely tells that ‘this storm immediately followed on a fast on account of drought and ended in a hurricane – prayer was too efficacious.’ "

William grew up and moved back to Plymouth and in 1683 married Susannah and became a very prominent member of the now “county” of Plymouth. He served as a selectman and was a representative to the State Assembly, and active in other offices of honor and trust. He was especially prominent as a military man among the pilgrims, rising to the rank of Captain of the local Militia. His remains were interred on Cole's Hill, the first burying lot of the Plymouth pilgrims, and his headstone bears this inscription: "Here lyes ye body of Capt. William Shurtleff who Decd Febry The 4th, 1729-30, in The 72d year of his age."

I have a transcription of his Last Will and Testament including his bequests to each of his children and also of his estate inventory if any are interested.

Captain William and Susannah had thirteen children, including 6th Great Grandfather Ichabod, who was born in Plymouth on Nov. 8, 1697. The direct lineage to me is as follows:

Jonathon Shurtleff, (1736 Plymouth, MA)

Elisha Shurtleff, (1774 CT)

Vincent Shurtleff, (1814 MA)

Harrison Tuttle Shurtleff, (1841 MA, and was a member of state legislature, Utah Constitutional Convention, and an original signer of the Utah Constitution)

Harrison Smith Shurtleff, (1867 UT)

James Henry Shurtleff, (1900 UT)

James Leonard Shurtleff (1930)

Mark Leonard Shurtleff (1957)

I am very thankful for my wonderful heritage and all of my family who continue centuries of family love and unity, patriotism and service to God and Country.

Rainbow Warriors

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Rainbow Warriors (2010)
Emil McAvoy
Cast aluminium, custom acrylic lacquer

Rainbow Warriors (2010) is the latest work in an ongoing series utilizing a custom modified
version of the infamous, and now ubiquitous, PR24 Riot Baton. The baton was first
introduced in to the New Zealand Police via the Red and Blue Squads in instances of
police brutality against civil rights protestors during the 1981 Springbok Rugby Tour. The
first work in McAvoy's series, Better Work Stories (He Patu! Ano) (2007), also makes
reference to the baton's appearance in the 1980's historic police rape trials and the
concurrent police recruitment campaign of recent focus in national media.

An edition of Better Work Stories was sold on the auction site TradeMe in reference to Red
Squad second-in-command Ross Meurant's controversial sale of his 'Minto Bar' on the
site; Meurant's baton being named after veteran human rights protestor and anti-
Springbok Tour figurehead John Minto. It sold to a South African collector for $NZ20,000.
McAvoy's online auction also operated as a discursive platform for issues or stories raised
by the work, where members of the public were able to discuss these directly with the
artist. Proceeds from the sale were donated to Rape Prevention Education.

Rainbow Warriors extends the conceptual terrain of Better Work Stories into a broader
critical engagement with New Zealand national identities. It is coded to resist simple
identifications, yet its playfully provocative signifiers may incite viewers to do so. The title
makes reference to New Zealand's history of international level environmental protest, and
was painted on the Twenty Fifth Anniversary of the bombing of the first Rainbow Warrior
vessel, another yardstick in our historical landscape. The rainbow colours also evoke an
association with the homosexual rights protest movement, of which the artist's mother was
a key New Zealand literary member in the 1980's when he was a child.

The four pairs of batons that evoke the forms of rugby goal posts, along with the hot rod
flamed phalluses reference the masculinist, heterosexually-oriented rugby and custom car
cultures. In contrast, the rainbow colours speak to the alleged homoeroticism of such
cultures, and spectrums of singularity which resist such easy reductions of identity. The
cross formation and fire iconography may evoke histories and treatments of homosexuality
within Christian churches, further connected to the Wallace Arts Centre's former history as
a religious building. Yet the cross symbol exceeds its particular association with
Christianity as an ancient representation of sacred unity and transcendence.

McAvoy's recent work excavates New Zealand's social and cultural histories for new
identifications and ways of making meaning in series which intersect conceptually and
materially. He has exhibited, screened and performed throughout New Zealand and is
represented in public and private collections. 

Better Work Stories

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Better Work Stories (He Patu! Ano) (2007)
Cast aluminium, automotive enamel.


It may be best to begin framing this work and its contexts by referring to the accompanying digital catalogue.



This work premiered as a finalist in the Trust Waikato National Contemporary Art Award judged by Leonhard Emmerling.


An edition of the work was concurrently posted for sale on Trade Me as another conceptual dimension to the public project. Through the question and answer function of the site members of the public were able to post comments and questions to discuss the work with the artist and each other.


The item was sold to a private collector who as a young punk had been beaten by police with the long baton, as it was often referred to during the 1981 Springbok Tour when first introduced to the New Zealand public. The work also drew inspiration from recent historic police rape cases involving the long baton. The proceeds from the online sale were donated to Women's Refuge. The edition exhibited at the award is now owned by the Trust Waikato Art Collection.


A revised publication is forthcoming in 2010, documenting the original work, the online discussion and media reportage.






The biggest little city in the world.

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Ahh . . . Reno!

Yep, that's the hotel I'm staying in for two weeks. Think Fortress of Solitude made out of green Jell-O. I'm here as part of a two week institute for high school journalism advisers.

So far, I have gotten lost in the casino twice. Thanks, casino! Could you make your exits a little more conspicuous or at least cut back on the distracting lights? Sheesh, you'd think that you didn't want people to be able to leave easily, casino.

There are is a group of cowboys staying at the hotel, too. They are in town for an online cattle auction. Less smelly, sure. But did they really need to come all the way to Reno for an online auction?

I had planned on doing an article about the "real" Reno: 911. I even arranged a Ride-along with the Reno Police Department. It turns out that anything that I witness on the ride along I wouldn't be able to write about becuase that would be a privacy violation. Not only that, but the RPD have some strict dress code rules:

"No headgear or clothing should be worn that could create a perception that the Ride-Along participant is a member of law enforcement. This includes police logos, patches, badges, insignia, writings, words, phrases, pictures, a Sam Browne belt, basket-weave leather items, flashlights, handcuffs, or any other police-related equipment."

I wonder if that would have included the pair of Officer Dangle hot shorts that I packed? At this point, I'll never find out. I plan on cancelling the Ride-along. I'm arranging a white water rafting trip on the Truckee River near Lake Tahoe instead.


For those of you who survived the "Cheese Grater" on last summer's trip, wish me well . . .
And here are my current standings, for those of you at home who are keeping score:

Present gambling winnings = $0.
Present gambling losses = $0.
Present trips to brothels = 0.
























Your Name In Japanese

type='html'>Ever wondered what your name might have been if you had been born Japanese? Well enter you full name here and find out your Japanese one!

Bishoujo = female (pretty girl)
Bishounen = male (cute boy)


You are:
Please enter your name:


However we are not responsible for its content, good or bad it may be.

Can Video Save the Print Industry?

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A panel discussion today at the Digital News Affairs 2008 video journalism conference in Belgium attempted to answer the question: Can video save the print industry?

Moderator Richard Gizbert from Al Jazeera International speaks with:
Edward Roussel, Digital Editor, Telegraph (U.K.) Media Group;
Bas Broekhuizen, Editor, Volkskrant TV;
Charles de Broede, Online chief Editor, de Telegraaf;
Adriaan Bouten, Sr. VP and Chief Information Officer, McGraw-Hill;
and Joris Van Heukelom, CEO, Ilse Media

You can hear the hour-long discussion by clicking here.

Many of the panelists agreed that the culture in a newspaper's executive suite was the biggest stumbling block to video. And the difficulty in selling ads is a problem. There is some optimism that targeted advertising in video will be profitable.

But how to achieve success was still an unkown. Charles de Broede from de Telegraaf advocates for live streams and more of a TV model, while Joris Van Heukelom of Ilse Media says to give up the head of the long tail to broadcast and put your resources in the long tail of searchable video.

Adriaan Bouten noted that their business-to-business subscripton videos on construction techniques were doing well financially but that biz-to-consumer video was not.

Apparently, the question of whether video can save the print industry is not an easy one to answer.