Monday, May 16, 2011

every mother a willing mother, every child a wanted child.... some day.

Until I moved to parts (further) East last year, I always viewed contention and debate surrounding the legality of abortion in Canada as somewhat akin to the flogging of dead livestock.

Abortion was decriminalized way back in 1988 after the Supreme Court of Canada had, in its infinite wisdom, declared criminal restrictions on access to abortion unconstitutional under the Charter of Rights and Freedoms as they directly infringe upon a woman’s s.7 right not to be deprived of life, liberty, and security of the person.

Framed in the language of human rights, a woman’s right to choose whether or not to proceed with a pregnancy wasn’t going to be taken away any time soon, as far as I could tell, and so the debates and protests (and those offensive, inaccurate and misleading pro-life posters gracing the bus shelters outside Morgentaler clinics) were an exercise in ridiculousness. Don’t get me wrong, I don’t mean to say that folks should ever stop engaging in rational debate or logical ranting sessions (how else would I justify my existence? How else would we keep our brains svelte and shiny?), but did anyone really think that any government would have the stones to re-write the Constitution to exclude women as deserving of security, life and liberty? Did that old man (by pure chromosomal slip incapable of ever having to cope with an unwanted or unplanned pregnancy of his own) with the megaphone and the sandwich board depicting an aborted fetus seriously think that marching around Parliament Hill at noon would cause the government to snap and, 20 years later, force the SCC to revisit their decision? It seemed pretty clear that threats to the right to access abortion were only so much toothless growling used to intimidate women already faced with difficult decisions.

But then I moved to New Brunswick, and enter ridiculousness.

In Ontario, where I’m from, abortion is (rightfully – check out the latest WHO stats on worldwide unsafe abortions and mortality rates) classed as a medically necessary procedure (as it is in British Columbia, Alberta, Saskatchewan, Manitoba, Quebec (in-hospital), and Newfoundland) and thus covered under the provincial health insurance plan. The procedure is performed in a number of public hospitals in the province as well as (at last count) eight private clinics, at no charge to the patient, in compliance with the Canada Health Act. While by no means perfect – a large number of Ontario hospitals equipped to provide abortions do not do so – Ontario at least respects its mandate of providing these services as a part of its duty to public, comprehensive, universal, portable, and accessible health care.

In New Brunswick, public health insurance will only pay for a woman’s abortion if it’s performed in a hospital by a certified gynaecologist. Oh, and the woman will need to provide testimonials from two physicians who believe that the procedure is medically necessary. Only two of New Brunswick’s 28 hospitals provide abortion services. The only other option for a woman looking to terminate a pregnancy is to visit the one lonely Morgantaler clinic in the province (in Fredericton), on her own dime, to the tune of approximately $550 - $750.

[If you think that’s the worst of it, check out Prince Edward Island. On PEI, the government decided, and still stands by its decision, that no abortions would be performed on the Island. Islanders have to travel out of province, at their own expense, if they want to terminate a pregnancy (unless the abortion is declared medically necessary, and pre-authorized and approved by the government). To make matters worse, the PEI Abortion Information Line, to assist Islanders seeking abortion information and resources, closed down at the beginning of the year due to lack of funding. And don’t even get me started on Nunavut – that such a remote territory would deny its people abortion access is something else altogether.]

Having not grown up under a rock (I guess majoring in human rights and law in university didn’t hurt, either), I was not so blissfully naïve as to assume that everyone enjoyed the same access to all rights across the country. While everyone in Canada is equal before and under the law (ahem, how is it the Indian Act has survived the Charter? I’ll save everything that’s wrong with this offensive, damaging, and debilitating piece of legislation for another epic post) well … to paraphrase the oft-quoted Mr. Orwell - some folks are just a hell of a lot more equal than others.

All this long, rambling introduction to say that while I sure as hell am not big on borders and nationalism, choosing to spend Canada Day puttering in my garden and reading in my yard rather than getting liquored and wrapping myself in flags with the rest of the young’uns, this year I had reason to pour myself some rye and toast a national hero. Had I still been living in Ottawa on July 1st of this year when Governor General Michaëlle Jean appointed Dr. Henry Morgentaler as a Member of the Order of Canada, I would have celebrated, yes. But perhaps not as, um, emotionally as I did in my adoptive Maritime home. I told myself I was girding up for the inevitable fallout I would be forced to slog through over the next weeks and months. Gathering liquid strength, if you will.

See, had I still been living in Ottawa, not knowing all the depressing facts I now know about the state of abortion access in the Maritime provinces, I could open the newpapers every morning, read through all the innumerable articles and letters denouncing the appointment and insulting one of my heroes, and chuckle about all the silly pro-lifers out there who are still under the illusion that a woman’s right to reproductive choice is up for debate. I could read through all the positive reactions to the appointment and feel pretty good about being a Canadian. I could revel in the fact that 3 out of 5 of those who share this country with me are in support Dr. Morgentaler’s appointment.

Being so entrenched in the women’s equality movement in the Maritimes, and learning all I’ve learned, I have lost this luxury. Where a right is not freely enjoyed by all due to barriers to access experienced by any, there is no enjoyment of the right. The right becomes formal rather than substantive. At the risk of spinning in philosophical circles - a freedom from prosecution for seeking enjoyment of the right when one has not the means, or indeed must provide the means oneself, to actualize the enjoyment of said right is not actual enjoyment. And so instead of a self-satisfied grin, a raised glass, and little attention paid to the negative backlash, I instead find myself clenching my jaw, fists balled, steeling myself for further actions which need to be taken to ensure equitable access to abortion for all women across Canada.

We, like most countries, have a terrible habit of recognizing our society’s more controversial champions only after they are long dead (ahem, Manitoba introduced Louis Riel day in … 2008?) and so I’m thrilled to see Dr. Morgentaler honoured during his lifetime for everything he’s accomplished, and the sacrifices he’s made, as a militant ally in the women’s struggle for control over our bodies. And if there’s anywhere in this country where women need to rejoice in the positive reinforcement for our fight that this honour brings, it’s the Maritimes. It is a reminder that we can not be complacent or we are complicit in our own oppression. By standing in support of the Good Doctor, and applauding the Order’s Advisory Council for their choice in appointing him, we not only recognize the great distance we have come but also the lengths still to go until we can say, without reservation, that in our country every mother is a willing mother and every child is a wanted child.

Ye Olde Standbys ...

blah blah blah hot and humid blah blah blah garden blah blah blah farmer's market blah blah blah

Yep, things continue pretty much as per usual in this little corner of the universe. These are definitely the salad days of summer. Yea, verily.

Add to that the fact that the last week has seen me brutalized repeatedly by my dentist (aka The Happy Butcher -- why oh why must you torture me with a tv embedded in the ceiling and then play the Country Music Television channel constantly? Is it not enough to make my mouth bleed? Must my eyes and ears bleed as well?) and completing a large and mind- (and ass-) numbing project for work, and it's understandable that I've been rocking the old standards in the kitchen.

Neither of these dishes is highly original, I'm afraid. They're two of the staples that make up the skeleton of my culinary carapace. But, well, this is a blog, and if I didn't post something once in a while, then, well, ... Both are good recipes to use up fresh summer produce, and the marinara is excellent hot or cold and keeps well in the freezer for emergency saucing needs.


hot-'n'-cold cucumber salad


Every time I make this salad, without fail, I end up with "she's so cold" stuck in my head. Alright, if I'm being honest - I end up belting it out full-volume while hunched over my cutting board. "I'm so hot for her, I'm so hot for her, I'm so hot for her, and she's so cold ...".



hot-'n'-cold cucumber salad with cumin, lime, and fresh coriander

what you need ...

1 large cucumber, diced (unpeeled)
1 medium zucchini, diced (unpeeled)
1 large orange pepper, diced
4 large scallions, thinly sliced (white and green parts)
a few handfuls cherry tomatoes, quartered
1 large fresh jalapeño pepper, seeded and minced
1/2 c. fresh coriander (packed), finely chopped
couple grindings black pepper

2 large cloves garlic, crushed or pressed
1 Tbsp. flax oil (optional, can omit or use olive oil if not big on flax and not needing the omegas)
3 medium limes, juiced
1 tsp. (heaping) ground roasted cumin
1/4 tsp. sea salt
1/8 tsp. dried ground chipotle chilis or cayenne (optional, I likes my spice)

what you do ...


Combine second set of ingredients in a glass jar, cover tightly, and shake shake shake. Let stand in the fridge while you prepare the veggies.

Toss together first set of ingredients in a non-reactive bowl. Pour dressing over top, mix well. Let stand at least 20 minutes before serving to allow flavours to marry. Toss again and serve with lime wedges.


* Normally, I'll throw in a cup of cooked and cooled black beans and 1/3 c. dry-roasted pepitas, but this time around I was looking for something lighter.

zucchini ribbons with sun dried tomato and fresh basil marinara

Everyone and their dog has a go-to marinara recipe. I'm no different. Here's my favourite.

sun dried tomato and fresh basil marinara

what you need ...


1 large onion, finely chopped
6 - 8 large cloves garlic, minced
1 large yellow pepper, diced
1 large carrot, thinly sliced
1 c. (well packed) sun dried tomatoes, sliced *
28 oz. whole roma tomatoes (canned, unsalted, unpeeled)

6 oz. tomato paste

1/2 c. salt-free home-made vegetable stock (or good-quality commercial)
2 bay leaves
1 tsp. dried oregano
1 tsp. salt (or to taste)
1/4 tsp. ground white pepper
1/8 - 1/4 tsp. dried chili flakes
1 c. (well packed) fresh basil, roughly chopped


what you do ...


In a large pot, steam-fry onions, garlic, carrot, and yellow pepper over medium-high heat until onion is fragrant and translucent (about 3-5 minutes).

Add tomatoes, tomato paste, sun dried tomatoes, stock, bay leaves, oregano, chili flakes, white pepper, and 1/2 tsp. of salt. Stir well, crushing tomatoes against side of pot with the back of your mixing spoon.

Bring to a boil, cover, and reduce heat to low. Leave to simmer for an hour, stirring occasionally (patience is a virtue, my friends).

Once the hour's up, throw in the fresh basil, mix well, and taste for saltiness. Add the remaining 1/2 tsp. salt if you think it needs it (or more, or less), re-cover, and allow to simmer another 15 minutes, stirring once somewhere in there.


Once it's finished simmering, remove from heat and remove and discard bay leaves. Using an immersion blender or food processor, pur
ée sauce until smooth (unless, of course, you like chunks. In which case, by all means, leave some chunkies in there). Taste and adjust salt and pepper if/as needed.

* You want to get the ones that aren't oil-packed. Preferably unsalted/unsulphured. If you can't find the unsalted ones, you'll need to blanche the tomatoes in boiling water for a few minutes, and then rinse-drain-rinse and squeeze.

The EVE Media Player is now available for download.

NetworkOptix.com is up and screening requests to beta test the new EVE Media Player. Request to join today.



Basic Instructions for the EVE Media Player

type='html'>
Here are some basic instructions for using the EVE Media Player v1.0 we've put together.



To make the most your new player, please review the following basic user guidelines.

Setup
  • Download EVEMedia Player (Note: a unique product activation number is required to activate the application. See below for instructions).
  • Install the application
  • Click the "Setup" button
  • Select the "License" tab and type in your product activation number

You are now ready to experience the full capacity of the EVE Media Player!

Experience
EVE - Network and Live Cameras Display & Recording
If you are going to use the EVE Media Player to display and record live cameras, please ensure that you are either on the same subnet or that you check the box to allow the application to change the IP address of any cameras it detects.

Only Arecont Vision cameras are supported at the moment (applies to ALL models). If Arecont Camera's IP address is locked at the camera, the application will not be able to change it even if "allow" box is selected.

All detected cameras should display under the "Cameras" tab in setup.

EVE - Video and Media Files
  • The EVE Media Player installs a folder on your C: drive titled EVEMedia.
  • The application supports the following: H.264/263, MPEG 2/4, MJPG and file extensions AVI, MOV, WMV, MP4, M4V, 3GP, FLV, etc.
  • You can move any of your existing video files into the C:EVEMedia folder or you can use the "Setup" button to index the drives where your videos are currently stored. Simply select the folders you want to index and click OK.
WARNING: we do not recommend that you index your entire C: drive as volume of data can take a long time and any/all media including still pictures already on your system will be indexed.

Once the setup process is complete, you're ready to view and archive any video within the application.

Control Tools
  • To locate a file, type any four characters from the file name (including the extension such as .MP4) into the search box (magnifying glass)
  • Right click on anything to drop down a menu of features
  • To see live cameras, just type the word "Live" in the search box
  • To record live cameras, simply right-click and select “Record” from the drop-down menu or click “Stop” to end the recording
  • Play Recorded Video” will auto-stop the recording and immediately play it back within the dynamic grid
  • If you want to save the video you just recorded, right-click the recorded clip and click "save video". You will be asked to name the video for later search.

Hot Keys:
  • S displays the stream/file text information
  • W moves any displayed files into the dimensional rotation
  • Q goes the other direction
  • E returns them back to normal
  • X is the circling screen saver. (A mouse move resets it)
  • ESC key releases or engages full screen mode

  • Grab any media with a held down right-click to rotate the media. Presets of 90° are available from right-click drop down menu

  • CTRL key displays dynamic grid. Hold CTR key while clicking on any media to shift it around the grid and change the layout.

  • Grid, 2-Line and Single Line presentation modes are available in the upper right hand of the screen in little grid icons. Single line defaults to full-screen display once media has been selected.

  • Arrow keys can select and pan through media in rapid tour

FIGURING LANDSCAPES: EXPERIMENTAL FILM AND THE ECOLOGY MOVEMENT

Shaun Gladwell, Approach to Mundi Mundi, 2007, production still. HD/DVD. Courtesy the artist and Anna Schwartz Gallery.




My essay on experimental film and ecology has just been published online as part of the RSA Art & Ecology magazine. Starting off from Figuring Landscapes - the festival of artists' film and video at Tate Modern (6-8 Feb 2009), organised by Steven Ball and Catherine Elwes, it attempts to figure out how ecological and environmental issues have come to be part of a particular approach to the moving image.


There were many different takes that could be followed through a fascinating programme of films, but I found myself most taken with the approach of Semiconductor, whose All the Time in the World (2005) used data of seismic tremors on the Northumbrian landscape to create an animated image of normally imperceptible rock movements. Moving out from their work to the festival as a whole, there was a group of work engaging with an image that was in some way imperceptible, and it is the nature and implications of this which the RSA essay explores.


As the characteristics of this type of image became clearer, I realized that it proposed, too, a particular type of response from audience and critic. Reading a film of coastal erosion as being about human fragility, seemed redundant. Such an image had already absorbed into itself different readings and responses, as, too, it absorbed past, present and future. This complexity and imperceptibility became visually present - not without paradox - in a distinct, literal image.


After writing the essay I realised that I had been unconsciously attempting a low-budget re-make of Susan Sontag's 1963 essay Against Interpretation. Going back to Sontag's essay was a good way both to acknowledge that source, and to identify the differences of our own contemporary moment. Interesting in this context, of course, to note Sontag saw film as one of the best equipped mediums for evading interpretation because of how it had a formal language that could be identified and discussed in lieu of discussions about meaning:



Interpretation takes the sensory experience of the work of art for granted, and proceeds from there. This cannot be taken for granted, now. Think of the sheer multiplication of works of art available to every one of us, superadded to the conflicting odors and sights of the urban environment that bombard our senses. Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life - its material plenitude, its sheer crowdedness - conjoin to dull our sensory faculties. And it is in the light of the condition of our senses, our capacities (rather than those of another age), that the task of the critic must be assessed.



I quote this at length not to highlight Sontag's contemporaneity, forty years later, but to highlight her differences. If, as in Sontag's conclusion to her essay, the "imperceptible image" is a recognition that "In place of an hermeneutics we need an erotics of art," it is an erotics increasingly involved with the idea, with its own impossibility, and which has taken conventional critical interpretation into itself to make it a transmuted part of its own content.




Semiconductor, All the Time in the World, 2005, 5 mins.



In the RSA piece I leave unexplored what measuring ourselves against, rather than interpreting, such images practically involves. It's a hunch. However, something of how these tensions might unfold seemed evident in the final section of Luca Cerizza's ongoing, transforming essay Nothing to See, Everything to Hide: Power to the Imagination in the Era of the Digital Revolution (re-printed in its latest version as the opening to the latest excellent issue of Uovo magazine):




The very use of a certain type of language, even intentionally old-fashioned and technologically very modest (Super-8 screenings, black-and-white photos, handwritten or typewritten texts) should not deceive us: the often vintage-style look of these works is in actual fact the medium for talking about a reality that is present, and that will certainly be increasingly present in the future, in which technology alters and will radically alter Nature, and the nature of images, information and stories.


I believe that these and other artists... are fully aware of a modernity that is increasingly "liquid", to use the sociological term employed by Zygmunt Baumann. A modernity that is made of bodies and images and stories that are continuously and easily reproducible, transmittable, and deployed/deployable, in which "original" and "copy" are ever weaker concepts, and in which our sight and identity are increasingly deceived and deceptive.


Some artists contrast the dominance of images, which is increasingly common but less and less reliable, with a "light", malleable art turned into stories and legends, and "oral" whenever possible, that can be conveyed in a manner similar to file-sharing. (27)



I quote this whilst aware that it is by no means a wholly close fit with Figuring Landscapes - which, for example, has relatively few works exploiting Super-8 or otherwise old -fashioned, obsolete technologies. But like Figuring - and also like the very different work in the Altermodern Tate Triennial - Cerizza notes conjunctions and simultaneities of space and time and suggests what kinds of action and art work result.


All of which, from an ecological point of view, may offer something of an indirect, emergent answer to questions like the following, from which the RSA essay begins, noting the parallel development of an environmental movement and a trajectory of experimental film out of New American Cinema:



If one looks across a century of experimental films is there a discernible change in the representation of the natural world, and human relationships within it? How did awareness of environmental issues become part of these films? Did film makers incorporate or remain oblivious? Is there an affinity between such film makers search for new methods and ways of seeing and the environmental movements own calls for new paradigms of looking and thinking?



This Feels Like Commentary

You know, a comment on the absurdity of commercial television, the domestication of terrible historic events, and the way capitalism infects every aspect of American Life. But it's real. A Jello ad set in WWII Germany. Featuring Carol Channing.

The Wonderful Wizard of Oz

type='html'>In not-so-typical Not-So-Classic style, I am going to speak very briefly about a classic film (this one's for you, Beloved...in more ways than one!) Do you remember that classic B&W turned color turned B&W film "The Wizard of Oz" and the scene where Dorothy accidentally throws water on the wicked witch? What does the witch scream? If you know the answer, then you know what many of us are experiencing.

WE'RE MELTING!!!

Last October, the Classic/Not-So-Classic family was incredibly blessed with a house much closer to work and everything else, just in time for the gas-price's ride to the moon. When we looked at and walked through the house to consider buying it, it was nice and cool inside. Well, summer has begun to beat down upon us and we are HOT!

So I am posting today in hopes that some of you may be able to help by recommending a good individual or company who installs central A/C.

I've clicked my "ruby slipper" clad heels together and said "There's no place like home." But right now, there's no place like the library or the grocery store or work or the pool or...

Thanks! Stay COOL.